important facts about the Prodigy we MUST consider when constructing our music video

Invaders Must Die is the fifth album from a band long synonymous with bringing urban disruption to the countryside. Like uninvited guests dirtying up the landscape they've long trodden paths supposedly to them.

So Invaders Must Die then is awash with references to the free party generation. It thunders like the mother of all E-rushes, all hairs tingling, spine jumping and lips buzzing. But it ain't no retroactive arms-in-the-air, water-sharing nostalgia trip. This set is fuelled by the dog-thunder of punk's saliva-dripping rabid snarl. In fact its canines are so thoroughly bared that it's more likely to snap at your jugular and steal your water. Laughing all the while. In fact, the often overlooked dumb-assed humour that has always been at the heart of the band is has a full force presence here.

After 40 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel-good horrorcore and your synapses snapped by whiplash attitude, Invaders Must Die delivers its final, brilliant twist - a horn drenched sunrise anthem that aches with the positivity of a new dawn. That track, 'Stand Up' laughs aloud like a victor, spreads its arms around its comrades (the unit, the family) and walks the line of a burning horizon with the swaggering look of satisfaction that only comes when you instinctively know you've achieved what you set out to do.

Invaders Must Die is the unique sound of The Prodigy, still trespassing after all these years, walking the path they've created for themselves. And with that free party attitude still breaking and entering where other's can only dream of following.

“We represent all that is great about Britain, and we should be protected like a national heritage,” laughs Liam as 'Stand Up' fades into the distance. He may well be right! The question is, are the established overlords of our green and pleasant land ready for this particular juggernaut to be jettisoned into the middle of Constable’s finest.

all of the above was hijacked from their biography on their website - http://www.theprodigy.com/the-prodigy/biography

it is obviously their new album was heavily influenced by their experiences in the rave scene - not saying that we should go raving and film the drug takin but we should try and incorporate the experiences of the rave lifstyle in an urban and country lifestyle - by mixing up camera shots or something outrageous


Roish